The Iranian-British-American film director, screenwriter and university professor Tina Gharavi is currently making a gangster film about Iranian women in 1980s Paris. She speaks to Brownbook on collective amnesia, the lack of empathetic storytelling, and why she relocated to Newcastle, UK.
Rose Issa, curator, publisher and writer talks about becoming a catalyst for visual arts and films in the Arab world
Salma Tuqan has earned respect and admiration for her work in promoting and curating Middle Eastern art. Having worked as the Artistic Director at Contemparabia amounng other notable exploits, she in undoubtedly an important contributor to the Middle Eastern art landscape.
The multi-faceted Mourad Mazouz has successfully teetered both the lines of food and fashion. At the heart of it all lies a personality who has a strong understanding of his culture’s intricacies as he boasts Momo as one of his latest successes.
Born in Washington DC to a Libyan father and American mother, Alia Al-Senussi is part of the Tate Committee for Middle Eastern and North African Acquisitions. Having worked in commercial art for three years, she has immersed herself in the world of non-profit art education. She is helping to integrate Libya into the art and culture boom that the Middle East has experienced.
A champion of the Saudi Arabian art community, Stephen Stapleton is the mind behind Edge of Arabia. Currently working in London, he hopes to shed a broader sense of light on Arabian art and its relevant creatives.
Born in Morocco, Hassan Hajjaj made the move to London at the age of 14 where he quickly assimilated into the vibrant local music scene. Hajjaj has gone on to become well-known for his ability to juxtapose European and Arabic influences through his various platforms.
From Baghdad to Britain: the Iraqi designer who started her own fashion line after working with Stella McCartney and Karen Millen